git.back{gitRight} is Atlanta memory in motion.The work is a silent moving-image meditation on Hip Hop, Sankofa, rebirth, young Black masculinity, and the future of the city. It follows a wandering figure through a fractured Atlanta landscape of glitches, broken loops, monuments, and Afrofuturistic visual layers.

Afrofuturistic echoes of Atlanta Hip Hop are layered into a downtown city block, placing the city’s cultural imagination directly inside its urban present. In the background, the African Renaissance Monument rises as a symbol of Black family, emergence, and collective rebirth — a family drawn upward toward the sky, moving from darkness toward light.

The title itself becomes a coded instruction: git back to memory, git right with what was broken, and move forward with what still remains. It riffs on the language of Atlanta Hip Hop, transforming the energy of Outkast's song “Git Up, Git Out” into a visual meditation on return, correction, and becoming whole.

At the center of the piece is the Phoenix, Atlanta’s historic symbol of rebirth after destruction. Beside the African Renaissance Monument, the Phoenix becomes part of a larger visual language of resurrection: the city rising, the family rising, the self rising.

The work draws from Sankofa: the idea that moving forward sometimes requires looking back. In this piece, looking back is not nostalgia. It is recovery. It is a return to cultural memory, family, rhythm, and the possibility of guidance for young Black men who may feel unseen, lost, or alone.

For collectors, git.back{gitRight} is a visual archive of Atlanta’s spiritual and cultural imagination. It carries Hip Hop, the Phoenix, African rebirth, and the ancestral logic of Sankofa into a moving-image work about being lost, looking back, and finding the rhythm to return.